40 Watt Gigolo

from the single Dancing To A Love Song (2018) Barry&Gibbs are two guys from Lillie, France who describe themselves as "providers of disco." Earlier this year, they released Dancing To A Love Song , an infectious disco biscuit that can't help but make you feel good. It is not about who sampled what from where , it is about creating a vibe that resonates with the listener and creating joyful, positive experiences. I hope this song does that for you. Click Here to listen to Dancing To A Love Song by Barry&Gibbs.

from the single Baby Blues (2018) A few weeks ago, a group of us were hanging out on one of my funky friend's front porch.  We were drinking wine and listening to music. One friend played a series of records by The Go-Gos - songs like Skidmarks On My Heart and Lust To Love - while lamenting about an apparent absence of new bands like The Go-Gos.  Although I did my best to convince proper otherwise, they were having none of it. Perhaps Baby Blues by Moving Panoramas will convince them otherwise.  This group of Austin, Texas dream poppers have got the beat, the groove, the harmonies, and the melodic sensibilities to evoke Belinda, Jane, and the girls better than just about anyone around. I hear it in the opening guitar passage, the drumming, the bass groove, and - most importantly - the vocals performances.  You also hear it in the bridge and the breakdown, two essential elements of The Go Gos best songs. Comparisons aside, the band has a modern vibe and a heap load of

from the album Christian McBride's New Jawn (2018) In western music, there are thirteen distinct notes which - over the span of several octaves - comprise the the musical spectrum.  When you consider the tens of thousands of song you will hear over a lifetime, that's not a whole lot of notes. What I find most fascinating is what happens when musicians further limit the available notes by placing self-imposed rules on the notes they play.  Somehow, this manages to force the musicians to find expression through variations in their rhythms and feel, often creating distinct styles of music. Latin music - like latin dance - is full of rules.  Do this and you have a tango.  Do that and you have a bossa nova.  Do something else and you have neither.  In rock music, you have heard countless lead guitarists and bassists play pentatonic (five-note) scales. It is a paradox.  Addition by subtraction. With his new band - New Jawn - jazz bassist Christian McBride puts together an

Welcome to Episode 9 of Pink Squirrel ! As the clock begins to run out on 2018, there does not seem to be any let up in all get music being released.  You will find lots of tunes in this alternative mix that are only a few weeks old. Some of my favorites include Dark Days (Revisited) by newcomer Art d'Ecco, the pro-immigration punk anthem Danny Nedelko by IDLES, the beautiful instrumental Near by Deafheaven, and Sing To Me Candy by Papercuts. I continue to be in awe of all the great music that this year is producing.  Amazing. Here is the playlist: Dark Days (Revisited) by Art d'Ecco Too Real by FONTAINES DC Guerra En La Tierra by Los Pilotos Sing To Me Candy by Papercuts Nothing I Can Say by Tony Molina Danny Nedelko by IDLES What Sign (Was Frankenstein?) by Escape-ism Near by Deafheaven See You At The Movies by J Mascis It Will End Here by Gary Numan Lemon Glow by Beach House Leap Of Faith by The Interrupters The Truce Of T

from the album Universal Beings (2018) I love kinetic architecture and art. I love visiting buildings designed by master designers. like John Portman and Santiago Calatrava, and the simply sitting in - and around - them.  Glass elevators, movable sunscreens, and revolving rooftops captivate me. I love the sculptures that you find in modern public spaces. The works are often inspired by the masters of the post-WWII kinetic art movement, like Vladimir Tatlin and Alexander Calder.  They remind me of exquisite earrings dangling from a beautiful woman made of glass and steel. I love large, well designed airports.  They are purposeful and inspirational.  Their landscapes kinetic, under a symphony of arriving and departing airplanes; all specialized vehicles delivering fuel, baggage, and booze; and the flow of passengers moving through the buildings. Airports are beautiful. I love being alone in a bustling airport, noise-cancelling coconut shells on my head, listening to great mu

from the album Mogic (2018) Taking their band name from the the Welsh term for The Old North, specifically a land where the Scottish lowlands meet the north of England, Hen Ogledd are a band whose sound - although modern - conjure sounds of classic rock and roll of yesteryear. In particular, there is a quality to Richard Dawson's voice that evokes Ozzy and Peter Gabriel,, as well as every American who ever tried to sing in a rock club with a British accent.  I can't get enough of the vocal track on the song Problem Child. I also dig how tight the band is.  Bass, drums, and guitar in perfect step.  The synthesizers are also notable for the perfection in their tone. I hope to be able to catch this band live some day.  It would be fun to simply rock out again. Click Here to watch the official video for Problem Child by Hen Ogledd.

from the album Joy As An Act Of Resistance (2018) There is nothing quite like a driving, socially indignant, punk tune to light a fire in your belly.   Danny Nedelko might be the essence of such a song in 2018. The song offers a full-throated endorsement for more lenient immigration policies in general, and particularly in support of the lyricist's friend, Danny Nedelko.  Dig the opening lyrics: My blood brother is an immigrant A beautiful immigrant My blood brother is Freddie Mercury A Nigerian mother of three He's made of bones, he's made of blood He's made of flesh, he's made of love He's made of you, he's made of me Unity Yet the lyrics keep getting better, and more on point: Fear leads to panic, panic leads to pain Pain leads to anger, anger leads to hate This is protest music.  We always need more of it. Click Here to watch the official music video for Danny Nedelko by IDLES.

from the single Too Real (2018) On Too Real , a slamming new song from Brooklyn's FONTAINES D.C. This song is perfectly aligned with my mindset these days.  Punk rock days.  Joe... Listen to that bass playing.  Grooves you never expected grooving to. Listen to the guitar work.  90s rock stylings over madass grooves. The drumming.  The vocals. The perfect song for today. Click Here to watch the official video for Too Real by FONTAINES D.C.

from the album Merrie Land (2018) Earlier this year, Henry Rollins was quoted as saying, "This is not a time to be dismayed, this is punk rock time.  This is what Joe Strummer trained you for." I think of Bob Marley, Bob Dylan, and - of course - Joe, and reflect on their power as songwriters to align our inner compasses to better live our lives. I also think about how Bob Dylan continues to do this in his late seventies.  I imagine that the same would be true for Bob Marley and Joe Strummer, had they not died so young.  It is hard to even imagine being able to go to a Bob Marley concert today.  It would be heaven. On Merrie Land , the latest album by The Good, The Bad, & The Queen, these thoughts are in the center of my mind as I listen to the song The Truce Of Twilight .  The spirit of The Clash - and Joe Strummer - are present in every corner of this song. Of course, that has everything to do with Paul Simonon's bass track.  He channels his former band i

from the album Look Now (2018) One of the central tenets of this blog is that there are two essential elements of a great popular song:  songwriting and vocal performance. Listening to Look Now , the latest album by Elvis Costello & The Imposters, I am reminded that there is more to the equation than those two attributes.  Otherwise, I would consider every song Costello song over the past four decades to be "great"; after all, his songwriting and vocals are consistently that good. Putting my finger on that extra "something" is not as easy as it might seem.  It is intangible, dealing in  currencies such as relevance, resonance, and vibe.  What is it that connects a listener to one great song over another?  The song I am digging most on the album is Unwanted Number .  Stellarly written and performed, there is something in the R&B vibe that connects me.  A magic in the soul hooks and groove.  A ghostly haunt in the backing vocals.  An affinity for Stev

from the album Elastic Days (2018) Yesterday, I spent some time talking on the phone with a dear friend.  He, like too many of us, has been navigating some pretty tough stuff over the past few years.  I wish I could wash his problems away, but that is - unfortunately - not in the cards. I tried to speak with him about music,  New songs.  Concerts.  He shared that he is not listening to music much anymore.  We talked about not wanting to associate good songs with bad times. Well, here is a song for my friend.  It is by J Mascis, the former lead guitarist from Dinosaur Jr.  The song is titled See You At The Movies , which I take as a metaphor for escaping reality.  I hope this song takes you back to happier times, when you were listening to all those New England bands and lighting the world up with your wit, your creativity, and your decency. You are loved. Click Here to listen to See You At The Movies by J. Mascis.

from the EP The Fallen (2018) Of all the comeback stories in recent music history, there may be none more satisfying than Gary Numan's.  The young man who set the music world on fire, with songs like Cars and Are Friends Electric? , had largely faded away before being "rediscovered" by Nine Inch Nails and introduced to a new and younger audience. This helped earn him his richly deserved props for being a pioneer of electronic music.  It also set the stage for some great new music. I caught him in concert earlier this year.  It was one of the best shows of my year.  If you ever have the opportunity, check him out live... On his latest EP, I am really digging the song It Will End Here .  As I listen to the static and industrial stylings, I imagine myself soaring a hundred feet above the ground through Himalayan valleys and gorges.  The song offers freedom and red in a way that curiously captives me. I hope you enjoy... Click Here to listen to It Will End Here

from the album Lavender (2018) At the beginning of each year, I create a playlist in iTunes and start filling it with new music from that year. I am continually adding to that list and positioning the songs I dig most towards the top.  When I blog about a song, I give it a four-star rating and move it to a different playlist.  Currently, there are slightly under a hundred songs in the playlist.  I will probably add forty more before the end of the year and publish about as many posts. Those remaining hundred songs will largely be left behind as my focus shifts to 2019.  That always makes me a little sad; but, hey, there are only so many days in a year. The song Keep It Out has been sitting towards the top of my playlist for the majority of this year.  Yet, somehow, I had never got around to writing about it.  I suppose that is a testament to all the great new music released in 2018. I adore this synth-pop tune.  Early on, the space in the music allows you to fully absorb th

from the single Can You Get To That (2018) Frazey Ford is one of my favorite artists of this millennium.  I have been following her closely since she first emerged as a member of The Be Good Tanyas nearly twenty years ago. Her 2010 album Obadiah, remains - in my opinion - one of the landmark records of this decade. On recent records, Ms. Ford has continually downplayed her folksy, alternative country roots by infusing elements of classic R&B into her vernacular.  On her 2014 album, Indian Ocean , she even brought members of Al Green's 1970s band into the studio with her.  That too its a great album. Earlier this year, she released the single Can You Get To That .  As I listen to this Funkadelic cover, I hear a musician on a journey to find an elusive sound.  It is a great composition with a cool arrangement and vibe.  The R&B influence is in the forefront, with lots of side influences from the delta weaving their way into the tune. Crafting a sound is a lot like

from the album The Prophet Speaks (2018) Have you ever wondered why there is no act in the musicsphere that sounds quite like Van Morrison? I've been dissecting his new song Got To Go Where The Love Is , trying to figure out what makes it tick. The song opens with an upright bass plucking out a groove, followed by the horn section with its four-note hook.  I am only nine seconds into the song and I know it is Van Morrison; and he hasn't even sang yet!  Is it tone, is it vibe? Once the vocals enter, there is no mistaking the magnificence of that voice; even at seventy-three. Then there are the bright keys, the jazzy guitar break, and the confident-yet-tasty drumming.  All are signatures of a master of musical arrangement and excellence. You might be able to assemble some great musicians, find an extraordinary vocalist, and lay down music in this style.  However, it still would not sound quite like Van Morrison.  I believe that has something to do with magic. Click

from the album She Remembers Everything (2018) There are few artists who consistently put out high-quality melodic music like Rosanne Cash.  Quietly, over the decades, she has amassed a catalogue that rivals any artist in country music. On her latest release, the song I keep coming two is 8 Gods Of Harlem .  This well-written composition features two incredible guest vocalists:  Kris Kristofferson and Elvis Costello. Kris Kristofferson voice is sounding a bit weathered.  Rightfully so.  The vocal tones are magnificently aged, adding authenticy and grit. Elvis Costello's voice is in top form.  I particularly dig hearing him sing the backing vocal line in the chorus.  It reminds me of his backing vocals on Squeeze's Tempted and Black Coffee In Bed . But despite these tremendous guests, this song belongs to Rosanne Cash who modestly delivers another great performance.  She is incredible. Click Here to listen to 8 Gods Of Harlem by Rosanne Cash.